Compilation
featuring tracks from The Barra MacNeils, Jerry Holland,
Rita & Mary Rankin, Blazin' Fiddles,William Jackson,
Eleanor Shanley, Dàmh, Brendan Mulvihll, Rod C.
MacNeil, Buddy MacMaster, Celtic Tide, Doug MacPhee,
Danú, Fiska, Alyth MacCormack, Sean McGuire, Buddy
MacDonald, Tracey Dares & Paul MacNeil Celtic
Colours prices Sample tunes (music
notation) $19.50 Or
buy 6 Celtic CDs at a special
bundle
price RACKET IN THE
ATTIC Sheumas MacNeil: Piano,
Keyboards From the album Racket in
the Attic 2. Jerry
Holland Jerry Holland: Fiddle Previously unreleased 3. Rita & Mary
Rankin Rita Rankin: Gaelic
Vocals From the album Home 4. Blazin'
Fiddles Aidan 0 'Rourke:
Fiddle From the album Fire On 5. William
Jackson William Jackson: Gut
String Harp From the album The Ancient
Harp of Scotland. 6. Eleanor
Shanley Eleanor Shanley:
Vocals From the album Desert
Heart 7.
Dàimh Angus MacKenzie: Highland
Pipes, Border Pipes From the album Moidart to
Mabou 8. Brendan
Mulvihill Brendan Mulvihill:
Fiddle Recorded by Pierre Sprey
especially for this compilation 9. Rod C.
MacNeil Rod C. MacNeil. Gaelic
Vocal Previously unreleased 10. Buddy
MacMaster Buddy MacMaster:
Fiddle From the album The Judique
Flyer 11. Celtic
Tide J.J. Chaisson: Fiddle From the album Kindle 12. Doug
MacPhee Doug MacPhee: Solo
Piano 13. Danu Tom Doorley: Flutes From the album Danu 14.
Filska Jenna Reid: Vocals,
Fiddle, Accordion From the album Time and
Tide 15. Alyth
MacCormack Alyth MacCormack: Gaelic
Vocals From the upcoming debut
album An lomaf I (The Edge) 16. Sean
McGuire THE MASON'S APRON
(Traditional) Sean McGuire: Folk
Violin From the album Fiddle on
The Fiddle 17. Buddy
MacDonald Tommy (Peggy) MacDonald:
Gaelic Vocals Recorded at Point
Aconi, 18. Tracey Dares &
Paul MacNeil Paul MacNeil. Highland
Pipes From the album
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The Glom
(Sheumas, Kyle Stewart, Lucy MacNeil/Barra Music Co,
SOCAN)
The Drilling Reel (Sheumas, Kyle, Stewart, Lucy
MacNeil/Barra Music Co SOCAN),
Lisa Giles (PS. Cranford/Cranford Publications,
SOCAN)
Kyle MacNeil: Fiddle, Guitar
Stewart MacNeil: Flute Accordion
Lucy MacNeil: Fiddle Bodhran
Jamie Gatti: Electric Upright Bass
Recorded in Bolton, Ontario, 1999
Produced by Danny Greenspoon
Courtesy of Barratone, Inc.At the heart of
the Barra's trademark sound is the piano style of Sheumas
MacNeil, who along with Jamie Gatti on upright bass, sets
the foundation for the band. Together, Sheumas and Jamie
have developed into one of the most dynamic rhythm
sections in Celtic music. The title of the new album,
Racket in the Attic, takes it's name from the live
rehearsal sessions held in the months leading up
recording. These sessions were held in the attic of
Sheumas's house in Sydney Mines, and the repertoire
included these three new tunes. The last tune in this
medley is by lighthouse keeper Paul Cranford, who has
been a regular guest in the MacNeil I household for many
years. The Barra's recorded some of his other tunes on
The Traditional Album. The new album includes guest
performances by Paddy Moloney of the Chieftains and the
Newfoundland group Great Big Sea.
Icey Blue Days
(Jerry Holland/Fiddlesticks Music SOCAN)
The Musical Chisholm Household (Jerry Holland
Fiddlesticks Music, SOCAN)
House Hunting (Jerry Holland/Fiddlesticks Music,
SOCAN)
John MacLean: Highland Bagpipes
Recorded especially for this compilation
Recorded in North River, Cape Breton, Nova Scotia, 2000
Produced by Paul MacDonald
Courtesy of Odyssey Records Fiddler Jerry
Holland is recognized as one of the foremost musicians
and composers of fiddle music in the world. His fiddle
tunes have been adapted for accordion, flute, and many
other Celtic instruments, including the highland bagpipe.
His fiddle tune "Brenda Stubbert's Reel" was first
released in 1982 on the album Master Cape Breton Fiddler.
Since that time, the tune has become a popular standard
with pipers and pipe bands throughout the world. Jerry
continues to compose new music, and this year celebrates
the release of his newest book, TheSecond Collection, a
collection of fiddle tunes. This track features a medley
of tunes from this new book and has been adapted for the
bagpipes by John MacLean, one of the leading exponents of
Cape Breton dance-style piping. John is the son of Johnny
(Washabuck) MacLean, an admired fiddler and step dancer.
John was inspired to take up the old-time style of piping
through the encouragement of his uncles Alex Cume and
Paddy Currie.
BUAIN A 'CHOIRCE
(Traditional)
Mary Rankin: Gaelic Vocals
Dave Burton: Percussion
Recorded in Halifax, NovaScotia, 1998
Produced by Glenn Meisner
Courtesy of CBC Halifax/Ingold RecordsRita and Mary
Rankin are from the Mabou Coal Mines, an ocean-side
community on the western shore of Cape Breton Island. The
Mabou Coal Mines are one of the most celebrated
communities in Cape Breton traditional music, a community
strong in Gaelic song, fiddle, and pipe traditions. Mabou
Coal Mines have produced some of Cape Breton's finest
fiddlers, pipers, and singers, including Mary "Hughie'
MacDonald, one of Cape Breton's most renowned fiddlers of
the 20th century. It is from the Mabou Coal Mines Gaelic
tradition that Rita and Mary Rankin derive the Gaelic
songs in their repertoire. "Buain A 'Choirce" is a love
song that originates on the Island of Islay, Scotland. It
tells the story of longing for a sweetheart while reaping
the oats. The album Home wan produced by CBC producer
Glenn Meisner, who has recorded a variety of the Celtic
Colours shows for broadcast on the popular CBC radio show
Atlantic Airwaves.
Kenny MacDonald's
Jig (Calurn MacLean)
Garster's Dream (Traditional)
The Grey Buck (Traditional)
Ho ro moBhobain an Dram (The Favorite Dream)
(Traditional)
Allan Henderson: Fiddle
Bruce MacGregor: Fiddle
Catriona MacDonald: Fiddle
Duncan Chisholm: Fiddle
lain MacFarlane: Fiddle
Marc Clement: Guitar
Andy Thorburn: Piano
Recorded in Ardgour, Scotland, 2000
Produced by lain MacDonald
Courtesy of Blazin' FiddlesBIazin Fiddles is
comprised of six of the finest young fiddle players from
the highlands and islands of Scotland. All of the members
are involved in other groups and with their own solo
fiddle careers. They first came together as a group for
the Highland Festival in Scotland in the summer of 1998.
Celtic Colours 2000 will be their second visit to Cape
Breton as a group. Following a performance at the 1999
Fiddles of the World Festival in Halifax, they performed
as part of a concert series at the Gaelic College, St.
Anns, Cape Breton. Fiddler Catriona MacDonald appeared at
the 1998 Celtic Colours Festival, and fiddler lain
MacFarlane visited Cape Breton several years ago with his
father. The new Blaxin Fiddles album was produced by lain
MacDonald (a piper and flute player), brother to Allan
MacDonald. Allan has taught and performed in Cape Breton
and was featured on the second Celtic Colours
compilation. Fire On! is a fine collection of traditional
tunes, yet includes newly composed tunes by several
modern composers, including Cape Breton's Jerry
Holland.
Rosy Dali's
Sisters Lament (Traditional)
Recorded in Seattle, Washington,1998
Produced by William Jackson
Courtesy of Mill Records Harpist William
Jackson made a brief appearance in Cape Breton in 1983,
while touring with the group Ossian. William was a
founding member of Ossian, and like the Chieftains, the
harp was at the foundation of the ensemble sound of the
band. The Harp, or Clarsach, is one of the oldest
instruments in the Celtic world. It's origins date to the
10th century, a time when a harpist was honoured above
all other musicians. By the 18th century, however, " the
Harp had declined in popularity and has sees a revival
osiy in recent years. William Jackson has developed a
unique career as a solo harpist, producer, and music
therapist. He has released several solo albums on the
Mill Records label, including a major commission by The
Scottish Chamber Orchestra entitled A Scottish Island.
William recently directed and performed the music for
"Battle of the Clans" for The History Channel. Rory
DalI's Sister's Lament" is a lovely air that was
previously recorded by Ossian.
Galway to
Grace/and (Richard Thompson/Bug Music)
Robbie Overson: Guitars
Neil! MacCoil: Guitars, Keyboards
Recorded in Dublin, Ireland, 1997
Produced by Neil MacCoil
Courtesy of Kesh Recording, LTDVocalist Eleanor
Shanley is from Co. Leitrim, Ireland. Members of her
mothers family were all fireside singers, and Eleanor
grew up surrounded by music. Eleanor was discovered at an
informal session by the famed Galway band Dc Dannan, who
later invited her to become their singer. Eleanor toured
with Dc Dannan for five years, and in 1995, she released
her first self-titled solo album, which was produced by
Donal Lunny. Sisce that time, Eleanor has toured with
Luka Bloom, Sharon Shannon, and Christy Moore. In 1996
Eleanor began work on her second album, Desert Heart,
which includes this selection, Galway to Graceland. Since
the release of this album, Eleanor has toured extensively
throughout Spain, Denmark, and the UK. Eleanor appeared
at the 199B Celtic Colours Festival with guitarist John
McLoughlin, and during this time, was recorded by CBC
Halifax and later broadcast by the Atlantic Airwaves
show. Galway to Graceland was composed by the prolific
songwriter Richard Thompson, who was a founding member of
the highly acclaimed British folk-rock ensemble Fairport
Convention.
The Turtle
(Traditional)
Irish Reel (Traditional)
Wilfred & Janet Burkes (Brenda Stubbert, SOCAN)
The Scotsville Reel (Alla MacFarlane)
Ross Martin: Guitar
Colum O'Rua: Banjo
Gabe McVarish: Fiddle
James Bremmer Bodhran
Recorded in Ardgour Scotland 2000
Produced by lain MacDonald
Courtesy of Goat Island Music Throughout the
history of Celtic music, there have always been
crossovers of styles and convergence of players from the
different traditions. Dáimh, which means kinship,
is a modern example of convergence. Daimh is based on the
west coast of Scotland, and this young group brings
together players from Ireland, Scotland, Cape Breton. and
the U.S. Although they all come from different
backgrounds and traditions, they have found common ground
in this ensemble. Their new album. Moidart to Mabou, was
also produced by piper and flute player lain MacDonald.
The repertoire on this album consists of aditional Gaelic
songs, traditional fiddle and pipe tunes, and newly
composed tunes from Cape Breton composers Jerry Holland.
Brenda Stubbert. and Dan R. MacDonald, and Scottish
composers Allan MacDonald, lain MacFarlane, and Gordon
Duncan. This set includes a popular tune by Brenda
Stubbert. Also included in this set is the Cape Breton
pipe tune The Scotsville Reel, composed by Allan
MacFarlane and published in The Cape Breton Collection
(1940).
Jackson's Jig
(Traditional)
Billy, Hamilton's Jig (Traditional), (Arranged by Brendan
Mulvihill)
Paul MacDonald: Guitar
Recorded at Upper Marlboro, Maryland, 2000
Produced by Paul MacDonald
Courtesy of Brendan Mulvihill Mulvihill first
came to the United States in 1965 when his family
emigrated from Limerick to New York. After playing and
living in Ireland and England, Brendan now makes his home
in Silver Spring, Maryland, and in Limerick, Ireland.
Brendan first came to visit Cape Breton in the late 1980s
and has been a semi-annual visitor since that time.
Brendan is a favorite Irish fiddler of Cape Breton's
fiddlers. He is admired for his robust tone and his
exquisite bow work. This recording was made by engineer
Pierre Sprey in a 100-year-old plantation house in
Marlboro, Maryland. Brendan chose these jigs especially
for this compilation. The first traditional jig comes
from the repertoire of the famous fiddle player and
collector Frank McCollam from Ballycastle, Co Antrim,
Ireland. The second traditional pg is from
multi-instrumentalist Stevie Morris of Douglas Bridge,
Co. Tyrone. Ireland. Brendan learned this rare jig while
playing with Stevie in the Washington. DC area.
LAOIDH CHALUIN
CHILLE
(St. Columba Hymn) (Traditional)
Tracey Dares: Piano
Recorded in Point Aconi, Cape Breton, Nova Scotia 2000
Produced by Tracey Dares
Courtesy of Gigs & Reels ProductionsGaelic singer Rod
C. MacNeil is from Barra Glen, a tiny community in
Victoria County located near lona, Cape Breton. He is the
father of traditional piper Paul K. MacNeil, who is also
featured on this compilation. The village of lona is
known for its rich background in Gaelic songs and strong
family connections to the Island of Barra in Scotland. In
Barra Glen, Rod C. lives on a secluded homestead and
maintains the strong traditions he adopted from his
ancestors. He is actively involved in milling frolics and
other community Gaelic events. The 1997 Celtic Colours
compilation featured Rod C. leading a milling song on a
track from the piping album, Open the Door, by Paul
MacNeil and Jamie Maclnnes. Rod C. was also featured on
the 1998 compilation as a milling chorus singer with
Donald MacDonnell. He chose this song especially for this
compilation, and he is accompanied by Tracey Dares on
piano.
Mrs. Ferguson of
Reaths (Traditional)
Lord Donne's Strathspey (Traditional)
Pigeon on the Gate (Traditional)
Miss Johnson Pitworth (J. Walker)
Mary Jessie MacDonald: Piano
Recorded in Halifax, Nova Scotia, 2000
Produced by Gordie Sampson
Courtesy of Stephen MacDonald ProductionsThe year 2000 has
been an exciting one for fiddler Buddy MacMaster. This
summer, amid an already busy schedule, Buddy received the
prestigious Order of Canada award and released his new
album, The Judique Flyer, both in the same week. Although
he has taught and performed throughout the world for many
years, Buddy still maintains his reputation as a
community player. His weekly appearances at the Glencoe
Hall dances are legendary. A selection recorded at
Glencoe Hall with Buddy and Natalie MacMaster was
released on last years Celtic Colours compilation. The
year 2000 has also been a busy year for piano player Mary
Jessie MacDonald, who Joins Buddy on this track Mary
Jessie was a featured accompanist to Dave Macisaac during
last year's festival and on the Celtic Colours
compilation entitled Forgotten Roots. Since then, Mary
Jessie has kept up a busy schedule, including a
performance with Dave Macisaac at the Montreal Celtic
Festival. This spring, Mary Jessie performed an part of
the Symphony Nova Scotia series 'i Halifax, which
included fiddlers Howie MacDonald, Carl MacKenzie, and
Buddy MacMaster. This track was recorded in Halifax
during that time.
Dana's Jig (Kevin
Chaisson, SOCAN)
Pebble's & Goose's Jig
Koren's Reel (Kevin Chaisson, SOCAN)
Katie's Reel (J.J, Chaisson, SOCAN)
Dana Chaisson: Piano
Kurt Chaisson: Guitar
Brent Chaisson: Drums
Reni Arsenault: Bass
Elmer Deagle: Mandolin
Recorded in Irish Cove, Cape Breton, Nova Scotia, 2000
Produced by Ed Woodsworth
Courtesy of Celtic TideFrom the 1930s to
the late 1950s, the radio played a powerful force in the
promotion of Cape Breton style fiddle music throughout
Atlantic Canada. Nightly live broadcasts from Sydney
featured Bill Lamey, Joe Maclean, Teria Campell, Angus
Chishoim, Johnny Wilmot, and Winston Fitzgerald These
broadcasts brought Cape Breton fiddle music to listeners
throughout Prince Edward Island, the Magdalen Islands,
and all the way to the Gaspé Peninsula of Quebec.
On Prince Edward Island today, fiddle players have
absorbed much of the Cape Breton repertoire. Throughout
the island, this Cape Breton music is blended with the
existing regional repertoiren. Souris is on the eastern
end of Prince Edward Island and home to the Chaisson
family and Celtic Tide. For this track, the band chose a
set of tunes composed within the Chaisson family Their
new album, Kindle, was produced by bass player Ed
Woodsworth, who made a guest appearance with
Slàinte Mhath on last year's Celtic Colours
compilation.
Glen Grant's
Strathspey (Traditional)
Neil R. MacDonald's (Dan R. MacDonald, SOCAN)
Dusky Meadow (Donald MacLellan)
Maggie Cameron's Strathspey (Traditional)
A Duncan MacQuarrie Reel (Traditional)
Previously unreleased
Recorded in New Waterford, Cape Breton, Nova Scotia,
1997
Produced by Paul MacDonald
Courtesy of Doug MacPhee Piano player Doug
MacPhee has been featured at all three Celtic Colours
festivals as an accompanist and as a soloist in the
annual piano summit. This year, Dougie has been touring
and recording with David Greenberg and was recently the
featured accompanist at the launching of Bill Lamey's CD
in Boston. When Doug was growing up in New Waterford, his
home was guest to many of Cape Breton's finest fiddlers,
who would drop in to play with his mother, piano player
Margaret MacPhee. Duncan MacQuarrie was one of these
fiddlers. Duncan was from Glenora Falls, and he moved to
New Waterford in 1919 Throughout his career as a fiddler
Duncan wan a frequent visitor to Doug and Margaret's
household. This track is a medley of tunes that were
often played by Duncan, and includes a tune that Dan R.
MacDonald composed for Neil MacDonald of Detroit (Neil
R's daughter Joan MacDonald Boes, was a well-known piano
player and composer) This track was recorded in Doug s
home in New Waterford Cape Breton.
Scarta Glen
(Traditional)
Hunter Purse (Traditional)
The Reconciliation (Traditional)
|Eamon Doorley: Bouzouki
Brendan McCarthy: Accordion
Daire Bracken: Fiddle
Timmy Murray: Guitar
Donnchadh Gough: Bodhrãn
Recorded in Waterford, Ireland, 1997
Produced by Danü
Courtesy of DanüThis young Irish
group is based in Co. Waterford Ireland Waterford has
ancient ties with both Newfoundland and Cape Breton Many
of Cape Breton earliest Irish settlers came from thin
county. This track is from their debut recording. The
fiddler in the group is now Jesse Smith, and he is from
Baltimore and for many years was a student of fiddler
Brendan Mulvihill. Although a fairly new group, Dansi has
already established a trademark instrumental sound.
highlighted by intricate arrangements of traditional
tunes and the exceptional bodhran playing of Donnchadh
Gough. One of the most outstanding members of the newest
lineup of the group is vocalist Ciarasi Gealbháin.
His renditions of Irish Gaelic and English songs are
stunning, and he is considered one of the great new
voices of Irish music. This track includes the slide
Scarta Glen Slides are popular throughout the southern
counties of Kerry, Cork, and Waterford and can be hoard
today in Newfoundland.
Dunns Dings Aa
(James Robertson)
Courtney's Favourite (Brenda Stubbert SOCAN)
Dinky Dorian (Francis Byrne)
Cairngorm Brooch (Traditional)
Gemma Wilson: Fiddle
Bethany Reid: Fiddle
Andrew Tulloch: Guitar, Bass
Joyce Reid: Piano
Recorded in Scotland, 1999
Produced by Joyce Reid
Courtesy of Highlander MusicLast year's
Celtic Colours compilation featured music from Orkney, a
cluster of islands north of Scotland. Further north again
are the islands known as the Shetland Islands and home to
a culture that, like Orkney, is a unique mixture of
Celtic and Norse influences. Here, the music has the
influence from the Northeastern part of Scotland, yet the
music is spoken with a Nordic sounding accent. A strong
local composing tradition keeps the music alive in
Shetland, home to The Shetland Folk Festival, one of the
most unique folk festivals in the world. "FiIska" is an
old Shetland word that means mischievous and high
spirited. Filska is a group that represents the young
generation of Shetland fiddlers. a tradition that is
alive and well today. The fiddlers were allwinners of
Young Fiddler of the Year' awards held in Shetland. Their
repertoire is a mixture of Shetland tunes, traditional
Scottish tunes. and new tunes from composers Phil
Cunningham, Jerry Holland, Dan R. MacDonald, and Brenda
Stubbert.
A FHLEASGAICH
O'G
Most Gentle Youth (Traditional)
Davey Trotitori: Piano
Aidan O 'Rourke: Fiddle
Recorded in Edinburgh, Scotland, 2000
Produced by Jim Sutherland
Courtesy of Vertical RecordsThe islands known
as The Hebrides are a duster of islands located on the
west coast of Scotland. Many of Scotland's finest Gaelic
singers are from these islands The Hebrides have strong
ancestral ties with Cape Breton's North Shore and are
rich in Gaelic culture. Alyth MacCormack is from the
Island of Lewis, an island in The Outer Hebrides. She
grew up immersed in the Gaelic culture and later studied
music in Edinburgh and Glasgow. After graduating with a
degree in music performance, Alyth began to develop the
style of Gaelic music she performs today. Since then,
Alyth has performed this music at several prominent
European festivals, and in 1998, she was a featured
performer on the widely acclaimed CBC Halifax television
special entitled Celtic Electric. A Fhieasgaich Oig is a
happy love song that refers to the Isle of Mull, another
Hebndean island. Alyth is accompanied on this tracts by
Davey Trouton on piano and fiddler Aidan O' Rourke, a
member of Blazin' Fiddles.
Patsy McCabe: Piano
Pat Conroy: Guitar
Pearce McKenna: Accordion
Recorded in Northern Ireland, 2000
Produced by George Doherty
Courtesy of Emerald MusicOne of the most
memorable events of the 1993 Cape Breton Music Festival
in Cork, Ireland, was the performance of Irish fiddler
Sean McGuire. Sean's style and technique have been well
admired by Cape Breton fiddlers for many years After his
concert, Sean performed privately for all the Cape Breton
fiddlers in a small backroom session at Cork City Hall.
He played Dwayne Cotes fiddle and was accompanied by Dave
Macisaac on guitar. This session was one of the greatest
performances of his long career. He was later joined in
that session by Frankie Gavin, Donal Lunny, and Martin
O'Conner. Sean was born in Belfast, Ireland, in 1927. He
is the son of Co Cavan, whistle player Johnny McGuire.
Sean was classically trained on the violin. He went on to
apply this training to traditional music throughout his
career as a folk violinist. Today, Sean McGuire is a
fiddlers fiddler,~ known around the world for his
trademark variations on traditional tunes such as on this
selection, 'The Masons Apron,' the definitive
version.
THA MO GTIAOL AIR
'AIRD A CHUAIN (Jamie on The Stormy Sea)
(Traditional) (Arranged by Buddy MacDonald/Budmac Music,
SOCAN)
Buddy MacDonald: English Vocals, Guitar
From the album We Remember You Well
Cape Breton, Nova Scotia, 2000
Produced by Fred Lavery
Courtesy of Buddy MacDonald Singer Buddy
MacDonald is from North Shore, St. Ann's Bay, Cape
Breton. His father, Tom Angus, was known in his community
as Tommy Peggy MacDonald, a member of The North Shore
Gaelic Singers. Tommy Peggy was recorded throughout the
1950s and 60s by various folklorists, including Ralph
Rinzler. (A collection of Ralph Rinzlers Gaelic
recordings from Cape Breton will be published early next
year by the Smithsonian/Folkways label) It was Ralph
Ririzler who brought Tommy Peggy and The North Shore
Gaelic Singers to the Newport Folk Festival in 1965. At
this now-famous event, these tall Gaelic men mingled with
the likes of Bob Dylan, Joan Baez, and Donovan, heros of
the 1960s folk music revival It was from this folk music
revival that a young Buddy MacDonald took his inspiration
as a singer. Today, Buddy is well known for his ballads
and songs and his unique North Shore accent. On this
selection, the two worlds that first met on the Newport
stage in 1965 merge again with this unique blending of
Gaelic and English verses.
ALEX'S LAST
DANCE
Alex John J. (Paul K. MacNeil, SOCAN)
Tracey Dares: Piano, Keyboards
Gordie Sampson: Acoustic Guitar
Ed Woodsworth: Fretless Bass
Recorded by Paul MacDonald in Castle Bay, Cape Breton,
1999
Produced by Tracey Dares and Paul MacNeil
Courtesy of Gigs and Reels ProductionsCommunity piper
Paul K. MacNeil is from Barra Glen, a small neighbouring
glen to the village of lana in Victoria County, Cape
Breton Island. Piano player and step dancer Tracey Dares
is from Marion Bridge, Cape Breton County. Paul was
featured on the first Celtic Colours compilation, along
with piper Jamie Maclnnes. This selection was from their
highly-acclaimed album entitled Open the Door. Tracey was
also featured on the first Celtic Colours compilation as
an accompanist to fiddler Natalie MacMaster and on the
second compilation as the accompanist to Buddy MacMaster.
Paul and Tracey are now married and make their home in
Castle Bay on the ancestral homestead of Paul's father,
Rod C. MacNeil Their new album, entitled
castlebaymunic.com, features a wide selection of
traditional and newly- composed selections. The unique
sound you hear in the result of this track being recorded
in Paul and Tracey's old house, enriched by local
hardwoods and wide pine-board wall paneling. Paul
composed this beautiful air for Alex John J Maclean, a
local carpenter and community character.
Also Available
Live
at Celtic
Colours -
$25.00
compiled from recordings made on festival stages from
1997-2005